There's nothing particularly wrong with The Man from U.N.C.L.E., Guy Ritchie's adaptation of the Ian Fleming co-created spy-fi TV show from the 1960s. And thank god, Ritchie doesn't update it for 2015: U.N.C.L.E. is set in a Kodachrome-tinted version of the Cold War era, a time when Americans and Soviets fought, coldly, on principle and with principle. We get to watch secret agents traipse through exotic European settings, wear luscious period clothes, tinker with space-age gadgets, cruise in vintage cars, and call each other on gorgeously appointed landline telephones. It's all completely fine.